即The Adventure of the Priory School，今译：修道院公学，系《归来记》之第五案。原载英国《海滨杂志》1904年2月。

《中国日报单词表（汉英）》收纳了近几年来日报上出现率较高的词汇，按照汉字字母顺序排列，查找起来比较方便，特别是对一些专有名词和一些即时性比较强的词汇的翻译，都是比较专业的。《中国日报单词表（汉英）》深受广大外语爱好者和与之相关行业工作者的欢迎。

We simply listened in silence for what could we say The facts were more eloquent than any words, and called for no commentary. Here we "were," out in the middle of space and "there" was the earth, hanging on nothing, like a summer cloud. At least we knew where we were if we didn't quite understand how we had got there. . . .

It was rather a beautiful old house-the house where Austin lived. That is, it was old-fashioned, low-browed, solid, and built of that peculiar sort of red brick which turns a rich rose-colour with age and this warm rosy tint was set off to advantage by the thick mantle of dark green ivy in which it was partly encased, and by the row of tall white and purple irises which ran along the whole length of the sunniest side of the building. There was an ancient sun-dial just above the door, and all the windows were made of small, square panes-not a foot of plate-glass was there about the place and if the rooms were nor particularly large or stately, they had that comfortable and settled look which tells of undisturbed occupancy by the same inmates for many years. But the principal charm of the place was the garden in which the house stood. In this case the frame was really more beautiful than the picture. On one side, the grounds were laid out in very formal style, with straight walks, clipped box hedges, an old stone fountain, and a perfect bowling-green of a lawn while at right angles to this there was a plot of land in which all regularity was set at naught, and sweet-peas, tulips, hollyhocks, dahlias, gillyflowers, wall-flowers, sun-flowers, and a dozen others equally sweet and friendly shared the soil with gooseberry bushes and thriving apple-trees.

Everychild encounters the giant Fear and sets forth on a strange journey. And Everychild pities the sorrow of Cinderella and rejoices in her release from bondage; he encounters a dog that looks upon him with favor. On his wanderings Everychild bethinks him of his parents, and discovers that though he has seemed to lose them, he has not really done so.

After concluding the fourteenth volume of his popular series, L. Frank Baum returned to the land of Oz in 1914 with six short stories featuring Dorothy, Toto, and other beloved characters. Written for slightly younger readers, these hard-to-find tales offer a fine introduction to Baum's enchanted world.Featured stories include "The Cowardly Lion and the Hungry Tiger," "Little Dorothy and Toto," "Tiktok and the Nome King," "Ozma and the Little Wizard," "Jack Pumpkinhead and the Sawhorse," and "The Scarecrow and the Tin Woodman." This facsimile edition re-creates the charm of the original, including its distinctive blue type and more than 40 full-color illustrations.

Seated on a green hummock, his knees drawn up, his elbows resting on his knees and his head supported in his open hands, a boy sat very still and preoccupied, gazing straight into the world before him, yet conscious of little beyond the visions conjured up by his young mind. His were dim visions begot of the strenuous times in which he lived, and which were the staple subject of conversation of all those with whom he came in contact, yet his shadowy dreams had something of the past in them, and more, far more, of that future which to youth must ever be all important. But this young dreamer was not as dreamers often are, with muscle subservient to brain, the physical less highly developed than the mental powers; on the contrary, he was a lad well knit together, his limbs strong and supple, endurance and health unmistakable, a lad who must excel in every manly exercise and game. Perhaps it was this very superiority over his fellows which, for the time being, at any rate, had made him a dreamer. While other boys, reproducing in their games that which was happening about them, fought mimic battles, inflicted and suffered mimic death, experienced terrible siege in some small copse which to their imagination stood for a beleaguered city, or carried some hillock by desperate and impetuous assault, this boy, their master in running, in swimming, in wrestling, in sitting a horse as he galloped freely, was not content with mimicry, but dreamed of real deeds in a real future.

The stories which are given in the following pages are for the most part those which I have found to be best liked by the children to whom I have told these and others. I have tried to reproduce the form in which I actually tell them,—although that inevitably varies with every repetition,—feeling that it would be of greater value to another story-teller than a more closely literary form.

The transcendentalist, while voicing his ecstasy over life, has put himself on record as not wishing to do anything more than once. For him God has enough new experiences, so that repetition is unnecessary. He dislikes routine. "Everything," Emerson says, "admonishes us how needlessly long life is," that is, if we walk with heroes and do not repeat. Let a machine add figures while the soul moves on. He dislikes seeing any part of a universe that he does not use. Shakespeare seemed to him to have lived a thousand years as the guest of a great universe in which most of us never pass beyond the antechamber.

Haggard's classic Egyptian novel, filled with magic, wandering Kas (or spirit-doubles), old gods, romance, and adventure -- as only Haggard could write it Features an introduction by Lin Carter.

A novel by the English novelist, Henry Kingsley, who was the brother of the better known Charles Kingsley. After emigrating to Australia, Henry Kingsley became involved in golddigging, and later joined the mounted police. On his return to the United Kingdom in 1858 he devoted himself to literature, and wrote several well-regarded novels, including The Recollections of Geoffrey Hamlyn (1859), set in Colebrooke, Devon, and Australia.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

She might call and shout, and no one aboutWould ever call back, Who's there On the wide road leading straight into the country, the wise old woman unfolds her cloak -- and releases from within its folds the Princess Rosamund. When the girl opens eyelids swollen from weeping, she sees nothing familiar. City and palace -- gone Soon she and the wise old woman arrive at a cottage . . . one that seems to have a mind of its own -- to the infinite displeasure of the spoiled young girl Master tale-spinner George MacDonald writes of the palaces and furze-covered hills of mystic old Scotland in his delightful novel of court and countryside, A Double Story.

Highly readable, well-illustrated compilation includes myths about the gods of China, stars, water and fire, tales about the goddess of mercy, the guardian of the gate of heaven, other legends.

A very thorough account, including tables at the end of those killed or wounded up until the 8th September when he left South Africa. This account is compiled with as much accuracy as was attainable at this date, and with as much detail as a single volume will permit. In frequent conversations with Boers, Conan Doyle has endeavoured to get their views upon both political and military questions. Often the only documents he had to consult were the convalescent officers and men under his care, therefore some errors may have crept in. The closing scenes of the Boer War have necessarily been treated with less detail than the earlier.

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

George Eliot, the pen named used by Mary Anne Evans, wrote popular works that mirrored the settings and ideology of contemporary Victorian England. She was brought up in the Church of England, where she developed strong moral convictions that carried over into her fiction. During a visit to Florence in 1860 it was suggested to Eliot that the historical Fra Girolamo Savonarola would make a good subject for a novel, so Eliot spent her visit, and many months after, exhaustively researching Florentine history and culture. Her effort is undeniably evident within the pages of "Romola," however Eliot has been criticized for using a 15th Century setting to deal with the 19th Century issues of Victorian England. Romola is the female protagonist through which the story is rendered; her intellectual and religious growth, often painful, reflects the religious and cultural transitions of the Italian Renaissance in Florence.

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

It is a tragedy that all actors seem to crave to perform, and the Renaissance Theatre Company clearly relishes the chance to present Hamlet for the ear.

Like the Israelites of old, mankind is prone to worship false gods, and persistently sets up the brazen image of a sham hero, as its idol. I should like to write the history of the world, if for no other reason than to assist several well-established heroes down from their pedestals.